The story for the work was taken mostly from the Gospel According to Matthew , but the actual verses that Bach set to music were provided by several contemporary poets. The soprano air “Ich will dir mein Herze schenken” (“I Will Thee My Heart Now Offer”; section 13) is distinct not only in that it matches the soprano with two oboes, rather than just one, but also in that it is the only genuinely cheerful section in the entire work. Get a Britannica Premium subscription and gain access to exclusive content. (‘Passion’ is derived from the Latin verb ‘patior’ meaning ‘to suffer’ or ‘endure’, from which we also get ‘patience’ and ‘patient’.) Betsy Schwarm is a music historian based in Colorado. Every year for Good Friday Vespers, a Passion would be performed in one of Leipzig’s two principal (Lutheran) churches, St. Thomas and St. Nicholas. Most prominent of those is the chorus “O Haupt voll Blut und Wunden” (“O Sacred Head Now Wounded”), which stands as 54th of the 68 sections. Scholars now agree that an early version was first heard two years earlier, a second version in 1729, a further revised version in 1736 and a final one – the one we hear today – in 1742. The opening of Part 1 of Johann Sebastian Bach's. In April 1829, despite strong opposition from some quarters, the twenty-year-old Mendelssohn, with the help of Zelter and his friend the actor Eduard Devrient, mounted the work’s first modern performance, albeit in an abbreviated form, given to mark what was then thought to be the centenary of its first performance. Essentially a form of interactive theater, the St. Matthew Passion depicts the final sufferings and crucifixion of Jesus Christ. His principal contributor was Christian Friedrich Henrici, a poet who wrote under the name of Picander and also supplied the text for Bach’s secular Peasant Cantata (1742). 1, Chorus I/II: "Kommt, Ihr Töchter, Helft Mir Klagen"", "St. Matthew Passion, BWV 244: No. A local Lutheran preacher, Salomon Deyling, supervised the writing of the text, using the 26th and 27th chapters of St Matthew’s Gospel (in his manuscript, Bach underlined the words of the Scripture with red ink). Sir John’s approach to the work is as celebrated as his first-class soloists, his great Monteverdi Choir and the splendid English Baroque Soloists. What followed two years later was an altogether grander, more magnificent setting. It sets chapters 26 and 27 of the Gospel of Matthew to music, sung in recitative by the various characters portrayed within the text. The St. Matthew Passion had its first performance three years later, on April 11, 1727 in Leipzig’s St. Thomas Church, where Bach was cantor. Unlike the opera, the best-known type of musical drama, the oratorio does not use costumes, makeup, or musicians who act while they sing. In 1725, two years after he took up his appointment of cantor at St. Thomas’s, he wrote the Passion According To St. John. King’s College presents a new account of one of s acred music ’s greatest masterpieces, the Bach St Matthew Passion, recorded before Sir Stephen Cleobury’s untimely death on 22 November 2019. In St. M… By great good fortune, two of his singers were Fanny and Felix Mendelssohn. Rita Paczian: Conductor 2, Evangelist, Jesus: "Da Jesus Diese Rede Vollendet Hatte"" and more. St Matthew Passion - Bach. Bach revised the piece considerably several times, but the final performance during his lifetime, in 1749, was similar in form to the first version. A smaller piece than the 1727 St. Matthew, Bach’s St. John Passion was first performed in 1724. 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